Ballasting the track marks the completion of the trackwork. At this stage every piece of track and every turnout should be powered and work reliably so that the trains run without interruptions. If this is not the case make improvements BEFORE you start ballasting your track.
On the protoype pictures from the 1940's there is not much ballast visible, but mostly dirt and rubble, so I tried to mix gray Woodland Scenics ballast with bird litter and beach sand, to achieve this look.
My maintenance of way crew uses a ballast car that I purchase at least a dozen years ago at a train show in Germany (Intermodellbau, Dortmund). It makes ballasting track very easy. The ballast is simply poured into the hopper. The hopper sits on a brass underframe that holds the wheelsets and has 3 holes where the ballast runns between the ties. a couple of rubber and felt wipers spread the ballst between the ties.
When the ballast spread has finished his job, I clean the tops of the railroad ties with a smooth brush. This wipes all the loose ballast between the ties.
With a stiffer brush I clean the rails and the side of the ties. Sometimes ballst sticks to the side of the rails and causes the wheels of the railcars to jump. Then I fill the space between the rails with sand or gravel and sprinkle ground cover on top.
After the ballast is in place I wet the tracks area. I mix Isopropyl alcohol with distilled water and apply the mixture with a spray bottle. I let it soak for a couple of minutes and then using an eye dropper or pipette, I apply a mix of 1 part Matte Medium, 7 parts water and 2 parts Isopropyl alcohol.
I experienced that Matte Medium bonds the ballast better than white glue which also tends to leave a shiny surface or white spots on the ballast. I also came away from using dish washer as wetting agent. I don't like the bubbling effect. I use Isopropyl alcohol instead which works perfectly. Take care to properly ventilate your room when using this medium.
The normal Woodland Scenics ground foam isn't very realistic when used as the only ground cover. Normally I also apply coarse foliage and grass tufts from MiniNatur. Scenic Express markets a similar product in the US.
The tufts come on a plastic sheet and may be torn off. They are glued to the scenery using a drop of white glue. I mix different shades from medium green, burnt or dry grass. Depending on the area you're modeling you may choose greener shades.
Tuesday, June 3, 2014
AFG Packinghouse ready for the fruit
Last weekend I finally got some time to finish my packing house and to scenic the surroundings.
As I said in my previous post, my friend Pit Karges had cut some score marks into the wall sections to make positioning the corrugated siding easier, because they overlap by 2 mm.
I applied a bead of white glue on the wall section and spread the glue with a moistened brush. Then I laid the piece of corrugated carton along the score line so that it overlapped the previous layer.
Here's the finished backwall. A nice side effect of laser cutting is that the laser slightly burns the edges of the carton. This gives a nice weathered look.
The long side walls come in 2 pieces. I joined them with a piece of Scotch tape and braced the whole length with strip wood. I did not apply corrugation to the wall that will not be visible.
After all the corrugation was applied and dry, I started to join the wall sections. I braced the corners with pieces of MDF that came from the window cutouts.
Out of experience I know that nothing lasts forever, so I decided not to glue my structures to the baseboard. They could not be removed intact if I had to move or dismantle the layout. So I glued some kind of foundation to the baseboard, where the structure would be. I scenicked the foundation with ground foam so it is not so obvious that the structure only sit on top of the foundation instead of being build into the ground.
The windows are also laser cut. I painted them black and used canopy glue to attach the window glass, which is 0.05" cleas styrene
The final assembly went straight forward. I did not apply the corrugation to the roof panels because I had to hide the gaps between the roof and the windows.
After the roof panels and windows were installed I applied the roofing sheets following the same procedure as the side walls.
I did not glue the loading doors in yet, because I want to build some shadow boxes with interiors.
This is a train engineer's view when entering San Juan Capistrano coming from San Diego. The cantilever signal bridge and train order board are not finished yet. They are only placed temporarily.
Stay tuned for the finishing touches of this part of town.
As I said in my previous post, my friend Pit Karges had cut some score marks into the wall sections to make positioning the corrugated siding easier, because they overlap by 2 mm.
I applied a bead of white glue on the wall section and spread the glue with a moistened brush. Then I laid the piece of corrugated carton along the score line so that it overlapped the previous layer.
Here's the finished backwall. A nice side effect of laser cutting is that the laser slightly burns the edges of the carton. This gives a nice weathered look.
The long side walls come in 2 pieces. I joined them with a piece of Scotch tape and braced the whole length with strip wood. I did not apply corrugation to the wall that will not be visible.
Out of experience I know that nothing lasts forever, so I decided not to glue my structures to the baseboard. They could not be removed intact if I had to move or dismantle the layout. So I glued some kind of foundation to the baseboard, where the structure would be. I scenicked the foundation with ground foam so it is not so obvious that the structure only sit on top of the foundation instead of being build into the ground.
The windows are also laser cut. I painted them black and used canopy glue to attach the window glass, which is 0.05" cleas styrene
The final assembly went straight forward. I did not apply the corrugation to the roof panels because I had to hide the gaps between the roof and the windows.
After the roof panels and windows were installed I applied the roofing sheets following the same procedure as the side walls.
I did not glue the loading doors in yet, because I want to build some shadow boxes with interiors.
This is a train engineer's view when entering San Juan Capistrano coming from San Diego. The cantilever signal bridge and train order board are not finished yet. They are only placed temporarily.
Stay tuned for the finishing touches of this part of town.
Wednesday, May 21, 2014
The lasercut parts have arrived!
Thanks to my friend and fellow modeler Pit Karges, I now have a bagfull of parts to build my addition to the packing house.
The wall sections and windows are 2mm MDF
The grey parts are actually the corrugated tin sidings. They are lasered from corrugated carton.
As an aid, Pit scored guide lines on the MDF walls to line the corrugated carton. The sheets overlap each other by 2 mm.
This is really a nice kit and I can't wait to continue its assembly.
As always stay tuned for more!
Tuesday, May 20, 2014
Los Rios District (Lupe Combs Adobe)
A quick update on my adobe houses along Los Rios Street
Painting and weathering of the Lupe Combs Adobe is almost finished. I just have to add the windows and scenick the surroundings
That's the spot where the house will be on the layout.
Now I'll have to dig out some more pictures of adobe houses. The problem is that they are only shown from one side, so I have to guess and use modelers license. After all on the layout the houses are only seen from the front side. That makes things a bit easier.
In case you doubt if this house is really an adobe structure, here's a close-up. The addition to the right is wood.
Stay tuned for my next project. The parts for the Packing House Addition have arrived!
Painting and weathering of the Lupe Combs Adobe is almost finished. I just have to add the windows and scenick the surroundings
Now I'll have to dig out some more pictures of adobe houses. The problem is that they are only shown from one side, so I have to guess and use modelers license. After all on the layout the houses are only seen from the front side. That makes things a bit easier.
In case you doubt if this house is really an adobe structure, here's a close-up. The addition to the right is wood.
Stay tuned for my next project. The parts for the Packing House Addition have arrived!
Friday, May 16, 2014
Los Rios District
A couple of adobe houses lined the tracks just across the depot, so I need some of these tiny buildings on my layout also. They will be prominently visible along the aisle.
On the homepage of the San Juan Capistrano Histocial Society we learn that the street is on the National Register of Historic Places and includes those houses facing Los Rios Street. A street that has not changed all that much since it first became a location for the homes of the Acjachemen/Juaneno Indian neophytes who were not confined to the Mission. This in itself was unusual. At most Missions the neophytes lived in reed huts, “kichas”, which were burned when old and rebuilt as needed. Of the original adobes, all were built about 1794, once lined this street, only three left: the Silvas, Rios, and Montanez Adobes. The Rios Adobe has been continuously occupied by descendents of the original owner.
The first adobe house I build is the Lupe Combs House. It's located at Verdugo Street near the railroad crossing and is the first house of the Los Rios Historic District. It was built in 1878 in Forster City and was moved to San Juan in 1882. On the photo above we see the adobe house which was mainly build with adobe bricks. The walls were painted white. The addition to the right was build of wood.
I usually start with .040" plain styrene to build the basic walls. Depending on what kind of finish my structure will have - brick, clapboard, board and batten or stucco - I just laminate these profiled sheets on top of the plain walls. The plain walls are cut to the exact size that the building will have. Using my windows and doors as a guide I score the dimensions on the walls.
Then I drill an 8mm (.30") hole in the center of the door and window locations to insert my nibbling tool. Working along the score lines I bite pieces of styrene off until the opening is cleared. A few passes with a sanding stick and the openings for the doors and windows are ready.
Then I glue the plain walls to the desired siding. In my case it is Plastruct HO Brick sheet, that I use to represent the adobe walls. After the glue has set thoroughly I cut the walls out leavin .060" overhang on the long walls. These "noses" will cover the thickness of the side walls with the brick patterna also and give the assembly more strenght than just a butt joint. (see the right picture above)
Then I drill small holes in all four corners of the door and window locations. I cut the openings free with a couple of passes with a hobby knife.
Then I glue the wall sections together using a Mico-Mark metal gluing jig. The magnets fix the pieces in place and square until the glue sets.
I repeated the process for the wooden annex building.
This time I laminated the sub walls to a sheet of Evergreen Board and Batten siding. Again cutting the window openings out as discribed above.
Finishing, painting and scenicking the first adobe house will be covered in one of my nexts posts.
Stay tuned!
On the homepage of the San Juan Capistrano Histocial Society we learn that the street is on the National Register of Historic Places and includes those houses facing Los Rios Street. A street that has not changed all that much since it first became a location for the homes of the Acjachemen/Juaneno Indian neophytes who were not confined to the Mission. This in itself was unusual. At most Missions the neophytes lived in reed huts, “kichas”, which were burned when old and rebuilt as needed. Of the original adobes, all were built about 1794, once lined this street, only three left: the Silvas, Rios, and Montanez Adobes. The Rios Adobe has been continuously occupied by descendents of the original owner.
The first adobe house I build is the Lupe Combs House. It's located at Verdugo Street near the railroad crossing and is the first house of the Los Rios Historic District. It was built in 1878 in Forster City and was moved to San Juan in 1882. On the photo above we see the adobe house which was mainly build with adobe bricks. The walls were painted white. The addition to the right was build of wood.
I usually start with .040" plain styrene to build the basic walls. Depending on what kind of finish my structure will have - brick, clapboard, board and batten or stucco - I just laminate these profiled sheets on top of the plain walls. The plain walls are cut to the exact size that the building will have. Using my windows and doors as a guide I score the dimensions on the walls.
Then I drill an 8mm (.30") hole in the center of the door and window locations to insert my nibbling tool. Working along the score lines I bite pieces of styrene off until the opening is cleared. A few passes with a sanding stick and the openings for the doors and windows are ready.
Then I glue the plain walls to the desired siding. In my case it is Plastruct HO Brick sheet, that I use to represent the adobe walls. After the glue has set thoroughly I cut the walls out leavin .060" overhang on the long walls. These "noses" will cover the thickness of the side walls with the brick patterna also and give the assembly more strenght than just a butt joint. (see the right picture above)
Then I drill small holes in all four corners of the door and window locations. I cut the openings free with a couple of passes with a hobby knife.
Then I glue the wall sections together using a Mico-Mark metal gluing jig. The magnets fix the pieces in place and square until the glue sets.
I repeated the process for the wooden annex building.
This time I laminated the sub walls to a sheet of Evergreen Board and Batten siding. Again cutting the window openings out as discribed above.
Finishing, painting and scenicking the first adobe house will be covered in one of my nexts posts.
Stay tuned!
Work around the depot
While waiting for the final version of the packing house addition, I started to detail the surroundings of the Capistrano depot.
To avoid that passenger vehicles would roll onto the platform and then on the tracks, there were wooden posts spaced approximately 5 to 6 feet apart all along the platform. To model these I've cut 5 scale feet long pieces off of a wooden stick (12 x 12) and rounded the corners of the end that would be inserted into the base. The posts stand roughly 4 feet tall above the ground. I've painted them with a white acrylic color.
The end of the platform that meets Verdugo Street also had 2 posts. The bases for the depot, freight house and Maintenance of Way shed are finished. The next step will be the ground cover around the depot and ballasting of the tracks.
The depot I've build a couple of years ago represents the original as it looked in 1894. For the 1940's I am modeling, I will build another one with the belltower and part of the roof covered with weeds and ivy. Therefore either depot version will be removable.
Last week-end I ballasted the tracks around the depot and scenicked the parking lot and the right-of-way.
I ballasted the tracks with a mix of medium grey ballast from Woodland Scenics, aquarium sand and tan colored tile adhesive (that's the powder you mix with water and pour on the fresh laid tiles to fill the gaps between the tiles - well I don't know the exact description of this process but I believe you get the clue what I mean).
For the right-of-way and the parking lots I also use this powder and sprinkle it over a coat of white glue that I brushed on the baseboard. Then I mist the whole area with wet water (a few drops of isopropyl alcohol mixed into the water - I've got away from dishwasher soap because it bubbles too much). The powder acts like an adhesive and dries hard, leaving a tan or brown surface depending on the color you choose.
For the areas between the tracks, I used an eye dropper to wet the ground with diluted matte medium (2 parts matte medium, four parts water and two parts of isopropyl alcohol). Then I sprinkle Woodland Scenics medium green and dry grass on top and let everything dry.
Meanwhile I also build the cantilever signal bridge and the train order board to be placed near the depot.
The cantilever signal is an NJ International Plastic Kit and resembles the type of signal standing next to the depot during the 1940's. I inserted a a styrene square tube into the mast, to give the signal more strength and a pin to insert into the baseboard.
The train order board comes from an American Limited kit which is a semaphore signal. I made the mast using 3 different diameters of brass tubes that I inserted one into the other, instead of the plastic mast supplied in the kit. The train order board in Capistrano did not have a battery box, so I just cut the top off of the box and used it as a base. The ladder and head are from the kit. I also modified the blades to resemble those of an upper quadrant train order signal until I have a better substitute. It only needs some silver paint. Maybe I will replace it with a Tomar Upper quadrant train order signal (#H-843).
As always, stay tuned.
To avoid that passenger vehicles would roll onto the platform and then on the tracks, there were wooden posts spaced approximately 5 to 6 feet apart all along the platform. To model these I've cut 5 scale feet long pieces off of a wooden stick (12 x 12) and rounded the corners of the end that would be inserted into the base. The posts stand roughly 4 feet tall above the ground. I've painted them with a white acrylic color.
The end of the platform that meets Verdugo Street also had 2 posts. The bases for the depot, freight house and Maintenance of Way shed are finished. The next step will be the ground cover around the depot and ballasting of the tracks.
The depot I've build a couple of years ago represents the original as it looked in 1894. For the 1940's I am modeling, I will build another one with the belltower and part of the roof covered with weeds and ivy. Therefore either depot version will be removable.
Last week-end I ballasted the tracks around the depot and scenicked the parking lot and the right-of-way.
I ballasted the tracks with a mix of medium grey ballast from Woodland Scenics, aquarium sand and tan colored tile adhesive (that's the powder you mix with water and pour on the fresh laid tiles to fill the gaps between the tiles - well I don't know the exact description of this process but I believe you get the clue what I mean).
For the right-of-way and the parking lots I also use this powder and sprinkle it over a coat of white glue that I brushed on the baseboard. Then I mist the whole area with wet water (a few drops of isopropyl alcohol mixed into the water - I've got away from dishwasher soap because it bubbles too much). The powder acts like an adhesive and dries hard, leaving a tan or brown surface depending on the color you choose.
For the areas between the tracks, I used an eye dropper to wet the ground with diluted matte medium (2 parts matte medium, four parts water and two parts of isopropyl alcohol). Then I sprinkle Woodland Scenics medium green and dry grass on top and let everything dry.
Meanwhile I also build the cantilever signal bridge and the train order board to be placed near the depot.
The cantilever signal is an NJ International Plastic Kit and resembles the type of signal standing next to the depot during the 1940's. I inserted a a styrene square tube into the mast, to give the signal more strength and a pin to insert into the baseboard.
The train order board comes from an American Limited kit which is a semaphore signal. I made the mast using 3 different diameters of brass tubes that I inserted one into the other, instead of the plastic mast supplied in the kit. The train order board in Capistrano did not have a battery box, so I just cut the top off of the box and used it as a base. The ladder and head are from the kit. I also modified the blades to resemble those of an upper quadrant train order signal until I have a better substitute. It only needs some silver paint. Maybe I will replace it with a Tomar Upper quadrant train order signal (#H-843).
As always, stay tuned.
Friday, May 2, 2014
Addition to the packing house
I just taped the wall sections together to get a feel how the future building would look like and also to make necessary adjustments or corrections.
The additions has almost the same length and width as the original (old) packing house. My loading track is a bit short to line up completely with the 3rd and 4th loading door. I will probably alter the prototype situation an build a small wooden platform to reach to the tracks.
A closeup shot with the reefers next to the loading doors.
As always stay tuned for updates. I'm very excited about this and hardly can't wait to contiue on this project.
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